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Moving for the Monitor: Theatricality in artists’ film and video

Moving for the Monitor: Theatricality in artists’ film and video

May 31, 2012
by Amy Budd
Journal

Although attentive to the conditions of the camera, early performance video engendered relatively singular aesthetic encounters. A closed-circuit dialectic was produced between the artist and…

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Comment: The Poor Image Vs. The Stock Image

Comment: The Poor Image Vs. The Stock Image

May 29, 2012
by Amy Budd
Journal

Ripped, remixed and compressed, the pixelated “poor image” satiates consumer thirst for visual knowledge at the expense of its own substance. Cast out into digital…

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Comment: Luther Price and the politics of appropriation

Comment: Luther Price and the politics of appropriation

May 27, 2012
by Amy Budd
Journal

Luther Price’s work is difficult, to say the least. Chairing the post-screening Q&A session on Friday 25 May, Assistant Director of LUX Mike Sperlinger characterised…

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Podcast: Martha Kirszenbaum on ‘Fetish & Figure’

Podcast: Martha Kirszenbaum on ‘Fetish & Figure’

May 26, 2012
by Amy Budd
Journal

Amy Budd talks with curator Martha Kirszenbaum about her screening programme Fetish & Figure, discussing the relationship between moving image and surrealism, the fetishised gaze,…

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Q&A with Rachel Reupke: Constructing the stock image

Q&A with Rachel Reupke: Constructing the stock image

May 25, 2012
by Amy Budd
Journal

“Clean, mirror, indoors domestic room, close-up, panning, reflection, colour image, hotel room, real time, no people, establishing shots…” The preceding series of Internet search terms…

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Podcast: Shama Khanna on ‘A Blurred Boundary is still a Boundary’

Podcast: Shama Khanna on ‘A Blurred Boundary is still a Boundary’

May 25, 2012
by Amy Budd
Journal

In the first of our podcast interviews, Amy Budd talks with curator Shama Khanna about her screening programme A Blurred Boundary is still a Boundary, discussing…

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Profile: Leslie Thornton

Profile: Leslie Thornton

May 24, 2012
by Amy Budd
Journal

Leslie Thornton pushes the moving image to its limits, by exploring the enduring influence of technology on our daily lives. Her bricolage of archival footage,…

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Institute of Contemporary Art LUX Arts Council England Film London FLAMIN

With additional thanks to:
British Counci
Central St Martins
Esmee Fairbairn Foundation
FLAMIN
UK Film Council
The Edwin Fox Foundation
The London Consortium
Institut Français du Royaume-Uni